Recording Studio Piladelphia, PA: Tracking, Demos, Overdubs, Mastering, and CD duplication for the Philly area. Philadelphia Recording Studio and Record Label
Recording Studio and Record Label Philly: Mixing, Overdubs, Live Sound Engineering, and Location Recording for Philadelphia area
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Shimamoto Sound   Sound Recording   Music Studio   Demo Deals, Producer   Rock, Acoustic, Jazz, R&B   Electronic, Experimental   Live Sound and Location Recording   Music   Philadelphia Community   Philly Forums   Local Philadelphia Music
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Studio services include: Tracking, Overdubs, Mixing, and CD Mastering.

Now offering location recording and live sound services in the Philadelphia area.

         Shimamoto Sound is a creative audio environment that seeks to bring the most out of an artist's music. Our staff is committed to working hard to make things right so our clients don't have to worry about the technical aspects of music. We offer top quality analog and digital audio technology for all types of music and have the experience to make the most out of these tools. We pride ourselves on being able to being able to offer our clients good deals because of our many years of experience and strong work ethic. Our projects are always done on time using efficient, time effective methods.         Contact Shimamoto Sound to see what we can do for you today. We're happy to answer all of the questions you may have about the recording process or the music business in general. We strive to help artists of all experience levels get the most out of their careers. Shimamoto Sound offers a variety of solutions for recording artists so that we are able to be a one stop answer for every aspect of a music career. Our experience and expertise in the music business has been proven it can take a music career to the next level.        

The front panel controls are fairly straightforward. Each channel has a pair of dual knobs which control input gain, limiter threshold, mix level, and mix pan. Switches are available on each channel for phase and phantom power. Another pair of switches control the mixer input selection and cueing selection. It's easiest to understand the functionality by separating the mic preamp controls from the mixer. As a straight-ahead mic preamp, each channel gives you phantom power, a phase switch, a gain knob, and a limiter threshold knob. The knobs are 41-position detented, giving you precise control and letting you easily match the gain and limiter settings of several channels. Easy enough. Each channel also allows you to feed a two-channel mix bus from either the mic preamp or your multitrack. The channel gives you level and pan controls for the feed to the mix bus (think of the pan and fader on your mixer). Switches are provided to send the track to a cue bus, like a channel solo. On the far right of the unit are a pair of meters for output level and limiter gain reduction. A variety of combinations of output level can be monitored: the output of the mix bus, or any single channel, pre or post limiter. The gain reduction meter shows the amount of limiting on any soloed channel. A headphone jack is provided along with a monitor level control. In the end, you can use the 8MX2 to replace your mixer in your rack, provided you just use the mixer for light-duty monitoring use. It makes the 8MX2 an ideal front end for "mixerless" DAW systems. The unit sports decent measurements. The unit offers a good portion of usable gain (+64 dB) and low noise (-132 dB e.i.n), giving it plenty of dynamic range. Frequency response is 10 Hz - 50 KHz +/- 1 dB.

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