Recording Studio Piladelphia, PA: Tracking, Demos, Overdubs, Mastering, and CD duplication for the Philly area. Philadelphia Recording Studio and Record Label
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Studio services include: Tracking, Overdubs, Mixing, and CD Mastering.

Now offering location recording and live sound services in the Philadelphia area.

         Shimamoto Sound is a creative audio environment that seeks to bring the most out of an artist's music. Our staff is committed to working hard to make things right so our clients don't have to worry about the technical aspects of music. We offer top quality analog and digital audio technology for all types of music and have the experience to make the most out of these tools. We pride ourselves on being able to being able to offer our clients good deals because of our many years of experience and strong work ethic. Our projects are always done on time using efficient, time effective methods.         Contact Shimamoto Sound to see what we can do for you today. We're happy to answer all of the questions you may have about the recording process or the music business in general. We strive to help artists of all experience levels get the most out of their careers. Shimamoto Sound offers a variety of solutions for recording artists so that we are able to be a one stop answer for every aspect of a music career. Our experience and expertise in the music business has been proven it can take a music career to the next level.        

reviewing several of Shure's KSM line of studio condensers, and generally speaking, I have found these microphones to be sonically accurate and all-around useful mics. The KSM line includes the KSM 27 and 32, which are side-address large diaphragm cardioid condensers, the KSM 44, a multipattern large-diaphragm condenser, the 109 and 137, which are small-diaphragm cardioid condensers, and the latest offering, the KSM 141, a multipattern small diaphragm condenser. I received a matched pair of KSM 141's in a functional plastic carrying case. The case lacked the sophisticated feel of the elegant case provided with the KSM 44. Inside the case were two mics, a pair of windscreens, and mic clips. The mics were finished in the same champagne finish as the rest of the KSM line, and had an elegant, utilitarian look and solid feel. The first thing you'll notice about the KSM 141s is the large ribbed knob that surrounds the middle of the mic body. This knob is a mechanical switch that changes the capsule from cardioid to omnidirectional mode. You can actually see, and feel, the capsules being moved around inside the mic. The KSM 141 has flexible bass-rolloff and pad switches that allow for two bass rolloff slopes as well as a -15 / -25 dB pad selection. This combination assures the user that the KSM 141 will be able to withstand placement at pretty much any location from "across the room" to "touching the cone." The switches are recessed to prevent accidentally engaging them. The construction seems to meet all of the modern standards for mic design. The unit uses a transformerless Class-A preamp, very thin (2 micron) diaphragm, and gold plated connectors inside and out. The mic generates low self-noise (14 dB A-weighted) and has a reasonably high maximum SPL of 145 dB. The frequency response graph shows a curve similar to that of famous mics like the Neumanns, with a significant top-boost around 10 KHz.

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